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The Flesh Palace is particularly memorable.
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Human spares no expense in building a world both terrible and wondrous, dancing from one grisly spectacle to the next with an almost child-like glee. Driven by terror for his girlfriend and visions of dead people, Baxter takes off in pursuit, and quickly finds himself integrated into Cape Town's sorcerous underbelly.
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His world shatters when Esme is kidnapped and Baxter finds himself suspected of being the Mountain Killer, the serial murderer who may have disappeared with the love of Baxter's life. You know when you're a little kid and you think clouds are soft and smooth and you dream of rolling around in the sky on them? That's what making out with Esme feels like.
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My heart cracks like a honeycomb splitting and drips thick gooey love into my chest. My chest feels strange and I can’t think. Something about the combination of the light in the subway, her smell and her closeness does something to me. His affection for her borders on reverence, and while Baxter lacks the vocabulary to gracefully articulate his feelings for Esme, the intensity of it bleeds into his every thought of her. Nonetheless, there is one ray of light in Baxter's life: Esme, his kleptomaniac girlfriend.
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Through the windows, you can see lawyers watching TV or bankers furtively looking at PornTube, while drunks have sex in the long grass that borders that canal. The homeless wash here listening to the sounds of rich people frolicking in their garden jacuzzis. One thing I love about the canal is its honesty like a sick, swollen artery beneath the Botox of suburbs. A canal running through Baxter's neighborhood probably represents this dichotomy of characteristics best. 4)Ĭape Town through the lens of Baxter's cynical gaze is a bleak, visceral setting ("The sky is almost the exact gray of the diseased lung of a two-packs-a-day smoker"), filled with graffiti and grime, a raw mix of wealth and poverty that is borderline.
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It's not enough, but at least it's something. I snarl and hiss with rage as I jackhammer my fists into his kidneys and he struggles violently. He is an abrasive, arrogant personality with an uncomfortable propensity for violence and casual malice, which is encapsulated in his interactions with his autistic brother Rafe.įrom experience I know I only have seconds to inflict as much damage as possible before my mother comes to break us up. The protagonist is a sixteen-year-old named Baxter Zevcenko, a manipulative teenager who sees the schoolyard as a battlefield, his cohorts as tools, and pornography as business instead of idle recreation. But while the genre as a whole does not necessarily shy away from difficult material, Apocalypse Now Now, reeking of grit and magic, sometimes feels like it's on a calculated safari, a quest to be as edgy and inappropriate for possible. Certainly, it comes with all the hallmarks of the genre: an enterprising teen, an impossible destiny exceeding the protagonist's wildest imaginations, a cabal of supporting adults, and a handful of adolescent problems. This review is part of our 2014 fund drive bonus issue! Read more about Strange Horizons' funding model, or donate, here.Ĭharlie Human's urban fantasy Apocalypse Now Now could be tentatively labeled as a "Young Adult" book, a stiff nod in the direction of the more recent Harry Potter titles.